Buffalo's rising talent comes together for Femme Fest: A Birthday Jam
The femme forces leading Femme Fest: Blaised Mercedes, Maegan Jones, Danielle Johnson and Emily Scripps
Buffalo’s musical renaissance is a gift that keeps on giving. In the last few years, we’ve seen new festivals and artists sprout throughout the budding community. From hip-hop to alternative to rock to everything in between, the breeding ground for musical creativity in the Queen City continues to reach new heights and the announcement of Femme Fest is evidence of that.
Earlier last month, rising bands Smac!, Tsavo Highway, Blaised & Confused and Diyene joined forces along with special guest Dj Sike to announce their first collaborative show Femme Fest: A Birthday Jam. The event, taking place at Iron Works this month aims to join femme-leading, Buffalo-based bands together for a night to celebrate themselves, new music, and their birthdays ( which all happen to fall in December). With all 4 bands bringing a genre-bending edge to the stage, you’re probably wondering what to expect. We have the lowdown on these fierce up-and-comers!
The Femme Fest show is Friday, December 22, 7PM at Iron Works. Find tickets HERE
Meet Smac!
@smac716
Rising singer-songwriter Maegan Jones and composer-guitarist Oscar Woodrich came together to create Smac! last year as an extension of their solo careers; and to experiment outside of their sound. Performing many singles from Maegan’s 2022 EP Eurydice, this 2-piece will debut new music during Femme Fest. Known for their soulful harmonies and pleasant compositions that dip into funk, rock and pop, the duo is bringing their unique touch to popular contemporary tracks and original works. Frontwoman Maegan says she’s be inspired by “any tune.”
“Rappers like Kendrick Lamar, Andre 3000, Freddie Gibbs, and Denzel Curry taught me rhythm. Performers like Beyonce, Victoria Monet, and Janet Jackson taught me how to create quality music while moving my body. Vocalists like LalahHathaway, Brandy, Whitney Houston, Luther Vandross, Marvin Gaye and Samara Joy taught me our voices can change the world one ballad at a time. Soul singers like D'angelo, Erykah Badu, Amy Winehouse, and Anthony Hamilton taught me how to feel. Pop icons like David Bowie, Rihanna, Daft Punk, and Kylie Minogueta taught me continuity. Musical masterminds like Prince, George Benson and Stevie Wonder taught me to never stop learning. And the list will forever go on,” Maegan shared.
Meet Tsavo Highway
@tsavo_highway
This 5-piece jam band formed early last year is known for its intoxicating, groove-based performances. Made up of guitarist Peter Kern, guitarist Christian Dobosiewicz, bassist Brian Calisto, drummer Dan Keegan, and lead vocalist Emily Scripps, the rock and roll group won Best New Band, Best Local Song, and Best Vocalist last year at the All WNY Awards. Their approach of “crafting a sonic landscape filled with intricate melodies and powerful riffs” is what continues to make them a hot commodity and a rising force amongst Buffalo’s jam scene. As lead vocalist, Emily’s passion for music comes from her early musical influences in dance, musicals and church. She also shares that she uses her voice and music to uplift herself.
“Performing, and especially creating help to keep the demons at bay,” Emily explained. “They help to take all of my anxious ridden energy and put it into something that can help myself and hopefully others in navigating their own emotions. I don’t necessarily need something to “keep” my creating and performing going, I truly have to keep doing both.”
Meet Blaised & Confused
@Blaised.and.confused
Singer-songwriter turned rockstar, Blaise Mercedes’ soulful voice, hardcore grit, and stylish edge have gained major attention this year. Fronting their recently formed band, Blaised & Confused, the daring vocalist aims to create music that is boundary-less. Inspired by a range of artists from Pierce the Veil to Esperanza Spalding, Blaise, along with their band - drummer Alex Chambers, saxophonist Cat Poczciwinski, bassist Malachi Fibonacci, and guitarist Oscar Woodrich - is presenting an exciting, non-conformist approach to rock music that continues to attract new listeners. Whether it’s covering the left of music or presenting original works, Blaise’s passionate performances are the start of an exciting journey to share their most authentic self.
“There is no other outlet that is as liberating or intimidating as creating music and performing. In a way, I’m the most honest version of myself when I perform and the most vulnerable when I write. I crave that level of authenticity from myself, otherwise, I get very discombobulated. It helps me to recenter and articulate what's going on in my brain and my heart,” Blaise shared.
Meet Diyene
@diyeneband
This fresh faced band is ready to share their mantra “Good Music Finds A Way” with the world. Forming just this past Spring, Diyene is a soul-fusion band that is bringing experienced musicians together to create fun, heartfelt music. Consisting of guitarist Mike Cassidy, keyboardist Eric Matlock, drummer Marc thomas, bassist Nick Myers, and lead vocalist Danielle A. Johnson, Diyene’s high energy, interactive performances is uniting different facets of the music community together. Frontwoman Danielle is most excited that femme-led bands are working together.
“There is so much about this show that I have dreamed about since its conception and I am so amazed at the wonderful femme-women I have beside me helping me pull this together,” Danielle shared. “I am excited to see some of the people who have become really and truly great friends to me perform at a show that they had a hand in organizing. I am excited to see all of our friends come out and support us. And I guess most of all, I am excited that there is a space for Femme-Led anything to be showcased and highlighted.”
The Femme Fest show is Friday, December 22, 7PM at Iron Works. Find tickets HERE
R&BULLY: KANE WAVE FINDS BALANCE WITH “DON’T DRINK THE WATER”
Kane Wave’s eccentric, high-octane 2018 debut Hoodstar was an interesting moment for modern Buffalo Hip-Hop. Bringing the grungy, left-of-underground sound to the city’s forefront, the dynamic rapper’s boldness as an artist has helped him build and refine his music into what it is today - a boundary-less space of thundering 808s, audacious lyricism and pocket croons - or what he likes to call “R&Bully.” The rising artist’s dark aesthetic married with Street Rap and R&B has been on a long, creative journey. But his most recent offering finds a gentler meeting of the 2 genres.
There’s a handful of reasons why Wave’s Don’t Drink The Water sounds grand. For one, we’ve been on this journey with him. Since Hoodstar, the enigmatic singer/songwriter/rapper has experimented with almost every genre. From the soulful ballads on Selfloveclub to steamy, trap-flavored tracks on One Of A Kind to the confessional, rage-induced loose singles throughout his discography, Kane Wave doesn’t hold back when he’s creating - and he’s had impressive execution so far.
Since the last time we spoke with him on the heels of his 2020 R&B record Loverboi release, Wave was fully encompassed in his “Loverboi” persona. Leading with confessional raps and entrenched in his spur-of-the-moment harmonies, the softer side of his sound took center stage - but it didn’t last long before he switched it up ( Cue “Home For Christmas” - a new-gen, novelty, holiday single that dropped late last year). If there’s one thing that we can bet on Kane Wave is that he is unpredictable, and that’s what makes him exciting.
So what stands out on Don’t Drink The Water? Balance. It’s the underlying Midas touch of being a versatile artist. Kane Wave’s gift to fluidly flow between R&B and Rap is in its genius on DDTW, and it doesn’t feel forced. Wave’s rough edges are smoothed out on tracks like “Syndicated Business,” “Got What I Came For,” and “Off Right Now.” He takes the minimal route with great care; his sonics are atmospheric, smooth, and introspective. “Got What I Came For,” is a major standout not only for the impressive features by fellow vocalists Jaymarr and Nelle’, but how well they bounce off of each other. The production value is pristine from the adlibs to the arrangements.
Even as he dials up the energy towards the end of the project, he doesn’t lose the soulful melodies and R&B elements on his more crass tracks. “Slimeball,” “Screws Loose,” “Badnews,” and “Meet Me In Miami” is Kane Wave in his element. Energetic and no-holds-barred is what his listeners love and he delivers. “Slimeball” is an instant turn-up track with thumping percussion and an infectious synth where Kane Wave and K-Pi$tol go back and forth about “trying to get paid,” while “Meet Me In Miami” is a winner’s circle anthem. With calculated bravado and an 80s-inspired groove, Kane Wave finds himself deep in his bag touching on all the parts of being a cocky bachelor. DDTW is such a well-rounded view of Kane Wave’s abilities, it’s not surprising he made his own genre.
LESO716 DROPS “5 PACK” VISUAL
The North Buffalo rapper is representing a different vibe and sound for the city. The rising artist’s new visual for his single “5 Pack” combines the rapper’s laidback charisma and nod to West coast living. Touching on both his relationships and vices, the single and visual is a colorful display of the artist’s modern style - straight to the point. Led by hard percussion and astriking guitar riff, Leso lets his narrative-driven lyricism take center stage.
“Shout out to my producer Just Dre for helping me perfect my craft and Raptor Productions for bringing my vision to life. Big thank you to FYP the label and Loganberry the strain for providing the right creative energy, this is just one of many we’ve recorded in-house.”
VVXNAE IS FRESH ON THE SCENE
Niagara Falls artist Vvxnae is finding her way. Since entering Buffalo’s music scene in 2021, on the heels of her debut mixtape Manic Summer, the genre-bending rapper has been dropping a slew of singles and collaborating with rising artists within the city. Aiming to make music that’s “catchy with a purpose,” the emerging talent is carving out her sound amongst Western New York’s growing music community and we sat down with her, for her first interview.
“It’s always those doubts of “Is this good?” Or “Am I doing enough? But I’m still here trying, just doing it.”
Experimenting with music throughout high school, Vvxnae didn’t start taking it seriously until 2020. Moving back to Niagara Falls after a stint at Washburn University, the unique artist began networking with the hip-hop scene in the Falls and in Buffalo. Meeting artists at recording studios like Bridge and GCR, eventually led to her creating her own mobile recording studio - Which laid the foundation for her first mixtape.
“During that time I was traveling a lot...I was able to capture every vibe I was in, in different locations.”
The 12-track project was recorded in a vulnerable stage for the artist. Losing loved ones, moving away from family, and readjusting to living in Niagara Falls, Manic Summer lets Vvxnae paint out her emotional turmoil. With a dark ensemble of eerie strings, the artist croons “I’m Falling” throughout the intro track. With a narrative-driven approach, the rapper touches on her mental state, people doubting her abilities, depression, and her goals for the future throughout the effort.
“I called [the project] Manic Summer because I was feeling during that time I was going through a manic episode…I was traveling a lot because I was searching for something. Something in my soul I was searching for. I just kept moving around, kept making music, trying to capture what I was feeling. ”
Using her music as a space for healing and experimentation was not only Vvxnae’s approach for her first album, but a significant way for her to connect with people. Prior to creating her own music, she frequently listened to her grandmother’s eccentric taste in music - From the R&B juggarnauts of the 60’s and 70’s like Smokie Robinson and Diana Ross, to the revolutionary artists on the brink of the new millennium like Tupac Shakur and Fela Kuti, these diverse musical influences can be seen in Vvxnae’s sound. From the melodic mellowness of “44,” to the bravado and intensity of “No Friends,” it’s clear the rising artist isn’t afraid to stretch the boundaries outside of her rapping capabilities.
She also cites Xxxtentacion as a major influence in her journey as an artist. The short-lived rapper’s, dark, vulnerable raps and aesthetic was one she identified with and pays homage to with her artist name - Vvxnae which means “forever alone, but together we stand,” - a message that you can sense in her music and in the way she makes music.
“I feel like my music is more of talking…we’re having a conversation. We’re gonna talk. You’re gonna get to know me. I’m gonna get to share stories of the people around me and myself, while still trying to incorporate that new age flow to grasp your attention.”
Vvxnae’s sound, which she defines as an amalgamation of hip-hop, hyper pop, and rock is still in process- but is making headway. Since ushering into the local limelight with Manic Summer, the rapper has been collaborating with notable artists across Buffalo and Niagara Falls like Quisi La Flare, Louie V-Tay, and rap collective Stupvd - just to name a few. She also is looking forward to working with up-and-comers like rappers Captivated C, Moody, and Tommyx7 among many others. With the current goal to build up her catalog and continue making her own unique sound, Vvxnae is one to watch.
Check out this artist's most recent single “Vent” here. featuring iamsynthetic & Quisi La Flare.
JAY AQUARIOUS TALKS NEW EP “THE GREAT VINE”
“This whole project happened by accident. It was not intentional at all.”
In the midst of working on 3 projects simultaneously, avant-garde singer Jay Aquarious pivoted his sound after a chance music session with rising producer AIRXKING. Both artists, with instant musical chemistry and open to experimenting, began working together on a sonic smorgasbord of “left of” sounds. From hip-hop to pop to house, the duo took an intimate, unique approach to create the collaborative effort that is THE GREAT VINE - ushering in a new side of Aquarious and a fresh introduction to AIRXKING as a beatmaker.
The 6-track project is a continuation of Aquarious’s pop-appeal, accentuated by AIRXKING’s textured production. Across the work, you can expect to hear Aquarious’s walk seamlessly through his signature sultry, bedroom pop, to catchy, narrative-driven hip-hop that ultimately works to introduce the entertainer’s anti-persona, Daymian Dabb - a name and personality that has been in the backseat of the singer’s career since high school.
“When I first decided to do music, I was a rapper. I wasn’t a singer...I was writing raps and I would write hooks for singers, but I wasn’t really confident as a rapper.”
Discouraged to rap early on, the talented songwriter moved to sing but received the opportunity to rap on a fellow artist’s song when he started working on the project. When the feature fell through, Aquarious kept the verse and let AIRXKING customize a beat for the most dynamic track on the EP, “Daymian Dabb.” With more confidence in his gift as a lyricist, the singer-rapper embraced the song, included a special appearance by local rhymer Son Scotty and decided to add to the EP.
“I just feel like getting in my bag for Daymian Dabb. I felt like this is the moment to bring that song and character to the forefront because again I came up with him in high school and left him alone for a very long time.”
With rumbling chimes, and an infectious kick drum led offering, Aquarious is everything but humble. Rapping about his unwavering motivation and strutting his sexual prowess with an extra dose of bravado, Aquarious lets out all of his frustrations and ego-driven thoughts with Dabb, tastefully, but it’s only after he gives us his sensual side.
The first single and 2nd track on the EP titled “Love High” finds the crooner in his element- heartfelt, intimate, and indulgent. Oozy piano chords set the scene for a never-ending groove of harmonious background vocals and soft percussion. Operating in his power as an enigmatic singer-songwriter, Aquarious questions the boundary of love and lust with a lost lover. From fantasizing about the idea of rekindling, he moves into another familiar-sounding track titled “Dreamatic.” Inspired by one of his earlier songs titled “Naked,” Aquarious created the third track as a sequel to his transparent, honest, and spiritual sound- A feat that AIRXKING took on graciously.
Expressing AIRXKING’s interest to make music together after their initial music session, Aquarious efforts with THE GREAT VINE pose as a tribute to power and solidify his talent as a collaborator. Taking inspiration from Janet Jackson to Lil Kim to Left Eye, Aquarious’s artistry and versatility opens up a little more. Every track on the EP is a standout - The Plax featured -“Pay A Bill” is not far removed from the blunt, boastiness of Daymian Dabb, the “Fill My Heart” remix is breathy and sexy along with the Lil Dame-assisted intro track, preparing you for the multifacetedness of Aquarious; Bold, sharp, and full frontal.
“With this project, I want my listeners to understand influence is power. Like that’s power. To be able to inspire somebody to do something different is literally a lot of power.”
#BUFFACOLD: Get To Know ILLY ALI
With his influence growing, rapper Illy Ali is stating his claim with his recent project Rosebuds Too. An Eastside Buffalo native who moved to Atlanta in 2008, the rising lyricist has been through a handful of sonic reiterations but finds his footing on the 6-track EP serving as an introduction to who he is now; mature, well-traveled, and telling his story.
“My quest is trying to make music that shows my truest self,” Ali shared.
Initially on the scene back in 2006, Illy Ali’s first contributions to Buffalo hip-hop came through his participation in a young hip-hop crew called ‘Da F.A.M,’ and they released their debut mixtape titled Heart of the City that same year. Their sound, an integration of backpack raps and street lyrics was a dichotomy to the raw, boom-bap movement, which kept them on the fringes of the city’s rising rap community, but that didn’t stop Ali. A graduate of Hutch Tech and Canisius College, Alli moved to Atlanta to pursue music and work as a teacher.
“Moving to Atlanta was a whole ‘nother ball game,” Ali explained. “I started to call myself Sandwich Bag Shawty. Named my first solo mixtape Sandwhich Bag Shawty. We still had CDs then…and I went to AC3 with CDs in a sandwich bag. I started getting marketing ideas.”
An ode to Atlanta’s “Shawty era” integrated with his Buffalo pride, Ali’s work on Sandwich Bag Shawty highlights his duality as a rapper and artist. Besides the constant references to weed and smoking (hence the Sandwich Bag) songs like “Three Ogs,” “Ode to Blo,” and “Friend or Foe” display the street tales of the versatile rhymer, with grand instrumentation. But he keeps the project exciting with party-centered tracks like “Go Green,” “Whip Game” and “Shawty Smoke,” which stretched the boundaries of standard hip-hop production - don’t be surprised to hear his background vocals throughout the project.
A constant collaborator on Sandwich Bag Shawty is Buffalo-based beatmaker Anthymonthetrack. Producing most of Ali’s work, including Ali’s follow-up to his solo debut and the 3rd installment called Sandwich Bag Season, Anthym joined forces with Ali to create a hip-hop duo called The Dignitaries. Creating from 2010 to 2017, The Dignitaries released their own project titled Chess Not Checkers towards the end of the year-showing off their lyrical chops. Standout tracks like “The Beckoning,” “Freaked Out,” and “Book Of The Dead” finds the two going tit for tat throughout the project.
“In 2017 we cracked the code. We had a group of 4 people but…we did a couple songs with just Anthymonthetrack and myself and I knew that was the sound that kind’ve the people wanted…for us to finally just come together and do a project with the two of us was an evolution,” Alli shared.
Also starting their record label called Native Alien, Anthym and Ali continued to work closely. With a fresh rebrand, Ali matured his sound. The rapper strayed from his Sandwich Bag Shawty identity to Rosebuds - signifying his move to a storytelling-centered narrative, which gives major homage to Buffalo.
“I did 3 volumes of Sandwich Bag Shawty with weed symbols on everything and I didn’t want to just put myself in that 4/20 category…there’s more to me, there’s more depth,” Ali explained.
Inspired by his childhood experiences of singing in the city’s church choir called Rosebuds and his interest in love songs, Ali’s 2020 effort deepened his intention. The 6-track EP slows the rapper’s pace, with rich production from smooth strings to simmering 808s. With the themes of love, romance, and good bud on the project, Ali ups the ante - he produced most of Rosebuds and features fellow artists like 7xve The Genius, Tommi Cole, and Fee Love.
“I wanted to kind of give listeners a glimpse into my production,” Ali mentioned.
Expanding his sonic journey with Rosebuds set the tone for his follow-up released last year. Rosebuds Too is poignant, and sharp, but still maintains Illy Ali’s clever edge as a lyricist. His single “Don’t Walk Away From Me” is a culmination of his introspective storytelling, lyricism, and smooth production. Also, take a listen to tracks like “Blood With My Brothers,” and “I Love You.” Always repping Buffalo, Alli’s unique collaborations and approach to his music make him one to watch.
Listen to “Don’t Walk Away From Me” here:
Follow IIly Alli HERE
#BUFFACOLD: MOLOTAV MALL
Shot by Rob Szobski, Lit716
Notable rapper and entrepreneur Molotav Mall continues to change the narrative. The longtime rhymer known for his brassy anthemic rap tracks and larger-than-life personality grants a new sonic offering on a joint album with rapper Duka Deniro, titled The Dialogue. The 808-pumping, melodic album gives a glimpse into the rapper’s musical palette today; a refreshing take and reintroduction to the artist who has been through some brand changes with businesses and collaborations - but still continues to shine a light on his unique artistry.
“I’m an artist, but more than an artist…I connect people together.”
A personality at the core, the seasoned rhymer first caught our attention in 2019 with the emergence of his recording studio, Chakra Bar Studio. Bringing art, music, and small events to an unassuming area in the city, South Buffalo, Mall’s artistic flare and colorful charisma grew a buzz that elevated himself and his consistent collaborators; talents like singer/songwriter Lindsay Bartlett, energetic rapper Keydolla, and gutter lyricist Madface Mossberg, among many others. Building a foundation off of his music, and also on his studio, gave Molotav Mall a curatorial edge with his work and industry relationships. His early projects like the 2018, 16-track Fuel 4 The People set the tone for his staple sound and position as a dynamic socialite.
“Fuel 4 The People” was a vibe when I was trying to like…bring a positive aspect. “Fuel 4 the People” was motivation music.”
His early mixtape which included its predecessor of the same name is all about positivity and relatability - a theme that can be traced back to his roots. Growing up in downtown Buffalo, and coming from a family of personalities who were also aligned with the entertainment industry, it’s no surprise the rapper and his music are creativity-orientated.
“I grew up in the Perry’s (Perry Projects) and I always had a lot to say. I used to read a lot of books...I used to always write; write poetry, write stories, draw, eventually that turned into expressing myself through music.”
Leading both with an artistic inclination and street sensibility quickly made Molotov Mall an anomaly in the city’s hip-hop scene, and possibly a leader of the rap music movement in South Buffalo. Dropping a slew of singles and small works after his mixtapes and continuing to highlight rising artists, the rhymer continued his work at Chakra Bar Studio until his rebrand last year. The studio is now a smoothie shop - a change due to growing a better relationship with the community is the rapper’s way of maintaining his presence and entrepreneurial grit.
“South Buffalo is segregated…I’m kinda here for a reason to help change the narrative around here. We giving back...There’s no healthy spots. There are only fast food spots and bars…we hangin’ in there.”
Despite Chakra Bar Studios being no more, Molotov Mall’s passionately positive approach to his business changes and his new project, makes for exciting anticipation of what he will do next. With The Dialogue fresh off the press and continuing to make its rounds, it’s clear the seasoned rapper has no sign of stopping. Listen to the project here.
GET FOKUS’D: TALES FROM THE PORCH EXTENSIONS
The Tales From The Porch exhibition series has become a staple in the city of Buffalo. Run by Get Fokus’d Productions, the multi-medium project shines a light on artists and figures in the community with an aim to understand different perspectives and break down stereotypes. Set to open the follow-up to the series this Friday, April 28th, Aitina Fareed-Cooke who oversees the project spoke with us about the event.
“Tales from the Porch extensions gives an opportunity for emerging artists to tell their own stories based off of their perspectives of what the porch is to them,” she explained. “And so they looked at the Tales From The Porch that was created from last year and then I guided them into interpreting those stories to a certain degree and transition into how they use their own artistic mediums to tell their own porch stories.”
Fareed-Cooke who is a rapper and also the owner of Get Fokus’d, organized a large community event around the 2nd iteration of her Tales From the Porch series that highlighted local community leaders last year. With a backdrop of musical performances, vendors, and a mobile photo installation, the multimedia showing of figures like Gail Wells of Buffalo Freedom Gardens or Alexander Wright, founder of the African Heritage Food Co-op, just to name a few was to showcase positive community perseverance and representation.
This go-round is all about highlighting young emerging artists. Under Fareed-Cooke’s leadership and her production company’s apprenticeship program called Fokus’d Kreatives, the 5 selected artists will take inspiration from Get Fokus’d last exhibition and apply different artistic applications to their work including photography, film, video production, illustrations, and many more - as a response.
Learn More About These Emerging Artists Below. And Learn more about Tales From The Porch HERE
ISAAC FAREED
Isaac Fareed, artistically known as Aizyk, is a multimedia artist who is a homeschooled high school sophomore. Fareed uses photography and illustrations to show people how he views the world. Using a fisheye lens coupled with digital illustrations, Fareed gives a “porch” to inanimate objects as a way of giving a voice to the voiceless.
TALLULAH GORDON
Tallulah Gordon is a SUNY Buffalo State University student studying Experimental Media Production. Gordon's piece focuses on the role that the Jewish folktale of the golem plays throughout history and the duality of the message it tells. Printed onto large curtains, the piece is meant to be read from right to left as is from the Torah.
KAITLYN LOWE
Kaitlyn Lowe, also known as The Galactic Griot, is an interdisciplinary artist from Brooklyn with a bachelor's degree in Media Production from SUNY Buffalo State University. She feels called to tell stories of the African Diaspora that encapsulate who folks truly are and what they dream they can become through poetry, photography, and video. Lowe's work is a direct response to some of the painful first photographs of Black folks in America. Lowe’s work captures the essence of African American artists from New York City as they purposefully take up space.
MYKISS WASHINGTON
Mykiss Washington is a student at Cheektowaga Middle School and studies photography at the Contemporary Photography and Visual Arts Center (CEPA Gallery) as a Photography Works participant. He chose to use a Polaroid camera to capture images of people and locations while gathering advice. His goal is to use photography to collect stories in order to gain counsel and share knowledge with others.
STEPHEN FORMAN JR.
Stephen Forman Jr., also known as Paulie! attends SUNY Buffalo State University as a Drawing/Painting major. He draws upon his Christian faith and the Black experience to create illustrations that tell stories of those who need to be seen and heard. His contributions to the Tales From The Porch Extensions exhibition include two paintings that critique the late-stage capitalist greed that affects Black bodies and homes all over the country.
A.I. THE ANOMALY RELEASES “BONNETS & BANTUS”
“Can I paint?” is what Buffalo-based rhymer A.I. The Anomaly says before the simmering breakdown on her new single, “Bonnet & Bantus.” It’s been a while since we’ve heard that same line. Before, it was on her blowout single “Eastside” in 2019; It’s very fitting here too. The faith-based femcee touts the same high energy and her out-of-the-box lyrical prowess on the Carolinah Blu-produced mid-tempo track where she unravels another layer of her womanhood.
With artistic ease, A.I. touches on grind culture, goals, and staying focused. Connecting the prep of black hair care ( Bonnets protect hair and Bantus preserve the state of the hair) with the mindfulness needed to hustle makes the single an instant motivational anthem she hopes will positively impact her listeners.
“As a woman and an entrepreneur who loves hip-hop, I wanted to be encouraged by what I’m listening to so I wanted to create something that would encourage myself,” she explained. “Also motivate those who move like me, those who are in similar spaces. I also wanted to create something that I could share with my daughter… I’m really trying to uplift women, uplift people in general, no matter where you come from you can do something. You can create the world that you want to create for yourself.”
Adorned with textured sounds from oozing synths to trap-flavored drums - a premier sound profile from the dream team that is Blu and A.I., the song ultimately pushes the message of self-love, personal growth, and determination. Particularly after the bridge, A.I gets more transparent - it almost sounds like she’s speaking directly to her daughter or maybe to her younger self. Lyrics like “Look into my eyes until I find you little girl/ Lost on a road I will find you little girl… No matter where you come from grow something, little girl,” finds the Christian rhymer at one of the most introspective points in the song - and discography so far. For us, this deeply emotional and climatic masterpiece is more proof that the staple lyricist’s creativity has no bounds. Listen to the new song below!
ANTHONY 1999’s “24: CELEBRATION OF THE SEPARATION” ALBUM REVIEW
“I haven’t really felt like I had a real birthday to myself in some years. This is a birthday where I actually feel like it’s my birthday.” - Anthony 1999
Anthony 1999 wants his music to speak for itself. Since the young rapper’s move from Buffalo to the West Coast a few years back, his approach toward his music has been through phases of intense passion and exclusivity. With minimal social media presence, the rising artist dropped over 8 projects last year spanning 18 tracks or more. His sounds of high-octane party music turned bass-boosted confessional raps is a result of what he calls an “incubation” stage. His most recent offering 24: Celebration of the Separation which dropped on his birthday, (March 7th) aims to be a creative culmination of his life as an adult far removed from the familiar tundras of the Queen City.”
“Ever since I left Buffalo, Ive been able to jump. I was able to leave Buffalo and jump into the outside world conversation,” Anthony 1999 explained.
Anthony1999’s experiences since his move are recounted throughout the album. From rough patches of relationships (“Pack All Your Shit”), evaluating his life (“Deep End”), and focusing on his aspirations (“Headlight”) the rapper doesn’t shy away from both his lows and highs. Touching on the bittersweet moments of living and leaving Buffalo, Anthony 1999’s project is full of catharsis: including an animosity that has fueled his consistency in commentating on his life.
“People aren't real. People aren't authentic, and I know I am the most when it comes to my music.” - Anthony 1999
Overall, “24” is another effort for Anthony 1999 to validate his experiences, and he does it with selected group of collaborators - Beno Jay, Zelly Ocho, and 1600J - attempting to capture moments as authentically as possible. Leading with his passion for life and art, 24: Celebration of the Separation is just the beginning.
JAY AQUARIOUS’s “DREAM REALITY” ALBUM REVIEW
Singer/songwriter Jay Aquarious has always been one to push boundaries. When we interviewed him shortly after the release of his first major project Naked in 2021, the performer was in a process of embracing and solidifying his musical style and image as a genre-bending pop artist, but his most recent offering Dream Reality digs deeper, pushing his non-conforming, larger-than-life sound to the max.
“When making this project, I really wanted to create something more scenic, more atmospheric yet futuristic, intergalactic and spiritual,” Aquarious shared.
The sultry r&b elements and hip-hop influence of Naked are completely replaced with heavy techno synths, thick organ melodies and touches of autotune on Dream Reality - a daring and exciting change that ultimately adds a new dimension to the artist’s sonic capabilities.
The second track, which shares the same name as the album, sets the stage; With whispering synths and simmering hi-hats, Jay Aquarious sings into a crescendo about manifesting his reality, and finding beauty in moments, before the song crashes into a beefy instrumentation of layered pianos with a blazing falsetto by Aquarious at the end. In layman's terms, it's a dance-oriented groove, intricately made in a way that still captures Jay’s soulful pop style.
“I want people to see I'm willing to play with more than one type of genre,” Jay Aquarious added, “even possibly something genreless.”
Tracks like “Laid Back, Sunny Day” and “Personal Savior” were also out of the scope of the artist’s traditional sound. In both songs, we find Jay in his higher register vocally. Consistent collaborator and rapper Ethan the Clever who worked on select tracks with Jay can be heard echoing the lyrics in tenor on “Laid Back, Sunny Day.” The minimalist, light feel of “Laid Back, Sunny Day” is in direct contrast to the grand, emotive sounds of “Personal Savior” which outlines the thrust of an intense romantic relationship.
“Personal Savior” is the first beat [that was] produced for me and the first spiritual song I ever wrote,” Jay Aquarious explained. “It was supposed to be about a guy, but it was too gospel for that, and I was in a gospel phase. This was one of the most challenging ones to write next to “Laid back, Sunny Day.” I asked Ethan The Clever to help me write the verses on that one - that was my first time letting someone do that. He did so good and sounded so good demonstrating it that I had to make it a duet and put him on it. He’s a great writer and I love his singing voice.
Even in the experimentation and collaborative effort of Dream Reality, it is quite clear Jay Aquarious' knack for creating grooves and songwriting to them is his strong suit. Tracks like “Strobe Lights” and “Immortal Love” are closer to his sweet spot - upbeat instrumentation, an infectious chorus, and a satisfying bridge or breakdown. More specifically the B.O.B and Rick James samples on “Immortal Love” adds dimension to the chorus and gives a gentle nod to Buffalo.
“I looked to my parents for that record and wrote about me and them, and learned not to be anyone’s fool. Ethan almost helped me with that one too, but I decided to tackle it on my own again and finally got what I wanted,” Jay Aquarious concluded about “Immortal Love.”
Overall, Jay Aquarious’s sophomore project is a colorful display of his musical range. From the soulful pop fierceness of Naked to the otherworldly electronic ballads on Dream Reality, Aquarious’s skill of songwriting and song structure stands through and is very uniquely and enjoyably his brand. Listen to the project exclusively on Soundcloud.
FOLLOW JAY AQUARIOUS ON INSTAGRAM : @JAYAQUARIOUS
BIG STEEZE IS PUTTING ON FOR NIAGARA FALLS
During the summer of 2022, rapper Big Steeze released a highly anticipated 7- track project called Face Of My City. Featuring an impressive roster of rising rappers and producers ( Quisi La Flare, Go Hard Kiss, 96_ Garden$, etc.) from what we call “The Falls,” Big Steeze was front and center flexing his rhymes, larger-than-life style, and spreading an underlying message that Niagara Falls has talent. Untapped and underrated, Big Steeze hopes his ascension will shine a light on a city that not only holds one of the 7 wonders of the world but a community of fiercely talented artists paving their own way in an overlooked city. The rapper, who has had an impressive rise this year himself - opening up for artists like Dave East, Jay Critch, Benny the Butcher and touring with Conway The Machine, sat with us in October to talk about the Face Of My City project, Niagara Falls’ hip-hop scene and what the future hold for his career.
Watch Below and listen to Big Steeze on the #BUFFACOLD 2022 Playlist Here
Follow Big Steeze on IG: @im_steeze
GET TO KNOW DONNIE BOY
Originally from Brooklyn, NY, Donnie Boy is bringing a new, exciting flavor to Buffalo with his freeform hip-hop sound and production. Experimenting with r&b, hyper-pop, rap & rock, the producer-turned-rapper is creating his own lane as an artist that could bend into any genre. We got to speak with him in October about his experience as a transplant in Buffalo, his music-making process, who he’s inspired by, and his 2 most recent project releases Live Life to the Fullest and Dazed Nights = Special Occasions.
Watch Below and listen to Donnie Boy’s music on the #BUFFACOLD 2022 Playlist Here
Follow Donnie Boy on IG: @donnieboy4tt
#BUFFACOLD: WHO IS PR0 SOCIAL?
Written by Shayla Kerr
I was introduced to Pr0 Social in an absurd and fantastic way - through a performance video posted on Sneakvibing’s Instagram in January. There he was, singing with some guys in multi-colored wigs, two-stepping on the stage to the feel-good, light beat of drums and laid-back strumming of a guitar as they sang about a shorty in mom jeans. The group - made up of Pr0 Social, Free Music Party members Kevin Spears and Joe Callahan, and Loverboy Rosaii were performing an unreleased song “Mom Jeans” at Buffalo’s Neitzche Cafe for Rosaii’s Coffee Talk show.
Loverboy Rosai, taken by Devin Chavanne
I wasn’t in Buffalo for the show, but I needed to know who these guys were. They gave off a reviving sound and presence that was needed in the dead of winter - there was a feeling of relaxation, rest, and comfort in this group’s harmony and companionship. They reminded me of why I’ve missed live music: they showcased the ability to create and feel while bringing people together. I was intrigued, so I asked Schondra, our founder, about them. She started me off with one artist in particular who was really lighting up the stage with his smooth groove in that glowing red wig.
Watch here:
https://www.instagram.com/reel/CZVdUIsI7TZ/?igshid=YmMyMTA2M2Y=
FREE MUSIC PARTY (from left to right): Eddy Blanco, Enrique, Kevin Spears & Alex Live. Taken by Devine Chavanne
So I sat down with Pr0 Social (virtually) and asked him straight up - “What was that (performance)?”
He laughed and described the act as a last-minute idea in achieving a staple onstage persona. The group easily gave that kick-back-with-friends type feeling because they’ve been on Pr0 Social’s musical journey since he began connecting with other Buffalo artists. He praised other Buffalo artists and the rich, tight-knit, and welcoming community, mentioning his dynamic, intriguing companions Free Music Party and Loverboy Rosaii as enjoyable collaborators for the variety of sound they possess in their music-making process and quick-witted storytelling abilities. I asked him about his own sound and what he thinks he brings to the community. He countered with his natural passion for artistry and versatility - his ability to not be put in a box.
Pr0 Social has demonstrated he can jump into any bag, from afro-beats to dancehall to slow R&B, and his songwriting features a range just as broad. He wants his audience to be able to “casually listen to it (his music) at a party or driving at the gym, or just chilling out.”
Pr0 Social’s 3% single cover.
Pr0 Social Taken by Justin Ruggerio
Where did it all start, though?
Jerrell Lanos, the artist’s offstage name, got his hold in music as a songwriter in high school, where he first wrote for other musicians before he started writing for himself in 2018. After graduating from his hometown in Rochester, he attended Canisius College in Buffalo, where he worked different jobs around the city while also pursuing music.
“Around the time I was writing and recording my first mixtape I was taking this college course called ‘Prosocial Behavior.’ The class essentially is about why people do things for other people. Is it because of altruism? Or is it for selfish or political reasons? It really made me reflect on what my intentions are for doing music and what I want to do and say as an artist. Sometimes I feel like I make music because someone somewhere is gonna need to hear what I have to say. It’s not always just for my enjoyment alone,” Pr0 Social explained.
An affiliate of Free Music Party, Pr0 Social spoke about the purpose of his music a few years ago on Free Music Party YouTube.
Growing up, listening to some of the R&B greats like Stevie Wonder, Marvin Gaye, DeAngelo, Mary J. Blige, and Mariah Carey, while taking influence from the R&B and neo-soul artists of today, such as Frank Ocean, SZA, and The Weeknd, Pr0 Social describes himself as a music reviewer who will listen to almost anything if the singer carries some good vocals.
With his early rap influences comprising Jay-Z, Nas, and Biggie, combined with his inspirations of today including Isaiah Rashad, Mick Jenkins, and Kendrick Lamar, Pr0 Social hopes to show his style in both genres.
“What I really take away from rap is, like, being able to tell a story while also being clever, and being witty, and sometimes funny. I think some of our favorite rappers are often comedians at heart, and just explain their life in a funny and clever way. That's one of the things that I've always respected about people that inspire me,” the rising artist explained.
I also spoke with Pr0 Social about his long-awaited upcoming project, Things I’ve Buried. Framing himself as an album-oriented artist who doesn’t usually like putting out singles or as he described “someone bringing you a meal that you ordered and there's a bite out of the burger, like fries missing on the plate,” the new project is all about his process.
Pr0 Social's latest single "3%"
A coming-of-age album highlighting his early twenties to his current age as a 26-year-old, Pr0 Social reflects on how he’s grown out of his past ways of moving through the world. With his vocal harmonies laid on top of hip-hop and r&b production, the talented singer-songwriter assured us that the album will offer variety similar to his prior project - which featured a mix of skilled local artists and producers.
I am more than excited for Pr0 Social to share his much anticipated new music as a fresh face in Buffalo’s hip-hop community.
FOLLOW PR0 SOCIAL on SOCIALS:
Instagram: ://instagram.com/prettypr0social?igshid=YmMyMTA2M2Y=
YouTube: https://youtu.be/kxDEOkAgpSw
Check out PR0 SOCIAL on the #BUFFACOLD2022 Playlist
#BUFFACOLD: A conversation with JayMarr, Buffalo’s Next R&B Sensation
Written by Marc Griffin
Coming out of the snowbanks of Buffalo, JayMarr has R&B dreams and boss ambitions. The talented 27-year-old singer, songwriter, producer, and part-time engineer, has been hard at work trying to hone his craft and become the type of artist that can do it all. Teeming with talent, an uncanny ear for melodies and sweat-inducing vocals, JayMarr essentially lives in the studio. So, it’s only suitable that that is where we meet to engage in an insightful conversation.
We set the meeting date for August 6th. Weather in Buffalo, NY is notorious for its uncertainties and shifty nature but the blistering waves of heat leaving our thighs stuck to the seats in the studio made it known that it was indeed summertime. So I followed the young crooner into what is essentially the We Make Hits home base, a studio smothered in purple hues and swaths of magentas radiantly singing from light fixtures draped across the studio’s walls and ceilings. JayMarr mentioned to me that he had to set a vibe to get in his creative bag, and so I sat there as he performed his artistic ritual; he unfurled a couple of papers, unbagged some weed, placed the contents on a binder and allowed for the medicine to wash over his worries, closing the door in the face of anxiety. I then watched on as a wave of smoky confidence gave the young crooner a metaphorical pep talk and then—“Yeah, I’m in my bag now, you really gotta set that vibe and let the ambiance take over.” The conversation below is only a fragment of what was discussed during our time together that day, but as you’ll read, it was a great starting point in getting to know the upcoming singer/songwriter.
…
M: I’m super glad we got to finally link and talk about everything you got going on right now; you’re out here making moves. So to kick this thing off, walk through the origins of JayMarr; how did your musical journey begin?
J: Around 2016, I met Kal V, he got a platinum record right now, and he is from the town (Buffalo), too; I met him at an open mic. And there’s another dude named Miles B, and we grew up together basically singing and shit. Miles has been taking this music thing seriously since I’ve known him, but I didn’t really start taking it seriously till about 2016, and I met Kal V, seeing him in the studio every day working on his craft, and that inspired me. So, I saw that, and I was like, I’m not trying to be out here paying people to record me or make me beats, so I’m starting to learn how to get this shit done by myself. I started making beats and recording myself, and then I started developing my network; I was pulling up on people with all my equipment, charging ten bucks an hour, recording and mixing that product down.
Once I figured out that I was good at it, I began brainstorming ways that I could make this into a career for myself; even if this artist shit doesn’t work, how could I do music full time. I did some research, and I found out about this music industry program with Villa Maria and started tapping in with them, and I learned music theory, got vocal lessons, met super talented people there and actually I got about a year left with that program. And from there, I took that leap, and it’s been about a five-year journey since then. Over time, I got better at what I do, and now we be in here (gestures around the studio decorated in opulent hues, teeming with magenta lights) recording myself and other artists from the town. Actually, I’m booked up all the way till about 3 AM today, so it’s gon be a long one (laughs), but I love this shit. Gotta be multifaceted, especially today, and I’m glad that Solo Group saw that in me and took that chance; it’s about to pay off. Do you know who Kane Wave is?
M: Yeah, yeah, he’s from the town, too.
J: Right, well, we got a studio session tonight, so you know we tapped in. He has been making moves in the town and beyond; he has been linking with Drum Works and Griselda and all of them, so I don’t know, man. It feels good to be with a team that believes in your talents for sure. Solo Group is family.
M: You mentioned Solo Group Entertainment taking a chance on you; were you signed to a more prominent record label or Solo Group its own thing? What’s the story with that?
J: Oh, yeah, they’re the home team, for real. So, Solo Group Entertainment is new; Tony Solo is the one that signed me actually, but they just established this joint last year, and it’s a new group, but he was telling me recently that they’ve been making a lot of plays in Atlanta. They told me, “yo, we got a big surprise for you,” so I’m curious to see what that’s about but yeah, definitely over here making plays. Basically, he was saying something about us getting into a dope situation under a more prominent label, so I’m excited to see what that opens up for us.
M: So, what was the project that put you on Solo Group’s radar? What was the joint that became the catalyst for everything you got going on? Was it The Experience? Because I remember that joint.
J: It’s crazy you remember that (laughs). But Nah, that was one of my first put-together projects as an artist, like when I first started doing music during my first semester at Villa Maria. My first project for We Make Hits, which is our own thing under Solo Group Entertainment, was Black List, and that was with my producer Tyrie. That was like the EP that we did.
M: We Make Hits? I really wanted to know more about that; I saw the chains on Instagram, and Facebook draped all over social media and what not. The picture was blowing mad people showing love to the post. I know that had to feel good.
J: Yeah, man it the reception to everything we’ve been doing has been OD, but that specifically was dope as hell. But We Make Hits was founded by Tyrie and myself; yeah, we’re the co-founders of that operation. Before we had this studio, the central hub was at his crib, and most of everything in here is actually his. We were sitting down one day, chilling, and he already had a Facebook page called We Make Hits, and I was like, yo we should make this a thing, really brand We Make Hits and start hashtagging it. I said, “it could be me, Tyrie, our videographer Danny Vista, Shakeif, Shane Grams. But at this point, I hadn’t even known Tyrie for a year yet (laughs). So it was meant to happen. And we really got it in with these projects like the Black List and all that.
M: With the project Black List, what went into that? I know that was the first project you did for We Make Hits, and it must’ve been different than the recording process for The Experience, right? So how was the creative process for the Black List?
J: Yeah, for real. Nah, the mindset going into Black List was “alright, we got to make some sexy shit” (laughs). Some classic R&B vibes; that’s what we were trying to showcase that range of knowledge and material that we were capable of. Not on no raunchy shit because of The Experience I had “Right Now” and “Bounce That Ass”, so we weren’t really trying to show too much of that. At the same time, I personally wanted to explore more ways that I could become a more versatile songwriter. So, going into that project, the focus was to showcase the beauty of R&B, making music that leaves people saying, “yeah, this nigga makes real R&B, and it’s good.” Because at the end of the day, I could really give you Tory Lanez type records, I can give you any vibe, but I was really trying to give listeners the R&B side of JayMarr on Black List and the R&B side of Tyrie as well from the production standpoint.
M: Did The Experience play a part in Solo Group saying, “yeah, this nigga nice.”?
J: I feel it was The Experience and The Best of Me; that was another EP we did. I had records on The Best of Me like “My Heart”, which I got the visuals for, “On Me”, which is one of my most popular songs. Yeah, so it was those records that really got people saying, “yeah, this nigga nice.” This is weird because around that same time, I was over the whole artist thing and figured I could do anything; I could be a manager, A&R, I can produce, but my man was like nah, bro, we bouta blow you up. So we went ahead and did the EP, we did it through ourselves, so we own everything, produce everything and just watch in six months the whole town gon know who you is. And lo and behold, in six months, it worked. We put the project out, and through Tyrie’s crazy network of people, it created a buzz, and then his network started tapping in with me, and it went crazy from there. After we did that project and got all of that feedback, Tony Solo from Solo Group saw the buzz and the noise we were making, and he reached out. We had a sit-down, me, Tyrie, and Tony, and we played him “My Heart and On Me. Tony was fucking with it heavy, and he said, “I want you, I been looking for a R&B dude,” and the rest is history. And now boys got a feature with Pleasure P, shit is fire, and next month we got a few interviews lined up in Atlanta. So we making moves.
M: You mentioned having the ability to be an A&R, producer and doing everything else in the studio along with being the actual artist. Could you see yourself as being in the same stratosphere as a legend like Ne-Yo? Someone who produces, writes, sings, everything, is that ultimately where your goals lie?
J: So that’s exactly where I was at six months ago; I was going to just write songs for other artists. Actually, you know the singing cops from Buffalo that were on the Ellen Show?
M: Yeah, yeah.
J: I wrote a song for him recently. He was fucking with it heavy; I’m probably about to start writing a lot of his music. But that’s where I was about six months ago, but now I just been focusing on the artist thing. It’s crazy that you even mentioned song-writing for other people because that’s how a lot of artists really be getting on; artists like Lucky Daye, Eric Bellinger, people of that caliber got on by writing for your favorite artists.
M: So, what are some goals that you have for yourself and We Make Hits within the next year or so?
J: I’d say within the next year or so, maybe three years, but it’s building JayMarr as a brand. We’ve got plans to turn We Make Hits into a label pretty soon, so that’s dope as hell, building that out and getting our own artists. A year from now, to be honest with you, I’m not trying to be recording people; for real, that is something I love doing, but it’s really for bread, so that way, I can stack and put those funds towards my own brand of artistry. I’m trying to get a single that really moves in Buffalo and beyond so I could get paid off of that and getting paid for shows. I don’t know, all that in a year, though? Is that realistic? Is that possible? I think it’s possible; I’m really not trying to be doing what I’m doing now—I’m trying to be tapped in, tapped in, writing songs for my idols, feel me?
M: Dope, dope, you mentioned him earlier in our discussion, and I saw it on Facebook, but this Pleasure P song, what can you tell me about this? And also, congratulations on that dawg!
J: I appreciate that, man, I appreciate that. So, I’m the type of dude with my social media and shit I’m mad annoying with it; I’m inboxing you all the time with links and I be reaching out to industry niggas all the time and asking questions like “yo, what are you charging for a feature right now?” Especially now with all that we got going on with Solo Group Entertainment as an investor? Oh yeah, I’m out here making plays (laughs). So with something like that in our corner, the money really ain’t a thing, feel me? So, I reached out to Chris Brown, Mario, Eric Bellinger, Bryson Tiller—all my favorite artists that I would love to one day cut records with. But Pleasure P was amongst them, and he hit me right back; shit was crazy. Pleasure P told me his price, we set up a video call, he followed me on Instagram, and we started building.
Actually, I had already had the record done; it was a flip of one of his records; you know that joint called “Lick”? It was that joint. I wrote two verses to it, and I ended up taking my second joint off, and he got on it like that. He was super chill about everything. I sent him the record, and he completed his verse in like thirty minutes and sent it right back. And it’s crazy because he’s become big bro essentially. I could text him right now just to ask a couple of questions, and he’d respond; he’s super dope. It’s completely done, but we’re waiting to drop the track. We want to promote it the right way because we strongly feel that this song has the potential to blow on some next-level shit, so we’re trying to do a whole proper rollout behind it.
M: Damn, we’ll definitely be on the lookout for that single; from the snippet, you shared with me, shit is sounding tough! Last question, are you currently working on your next project? And if so, what can we expect from that joint and How long have you been working on this next project that you have coming out?
J: So the name of the project is Trust Issues. It can really be trust Iisues with your close relationship with your lady or whatever your personal choice is; it could be friends. Because I got songs on there that allude to keeping that circle small, a joint called “Beast Mode”, and I’m rapping on some Tory Lanez shit, and I make reference to not making new friends and keeping it with my day ones, We Make Hits, the family. So, yeah, that’s what the focus of the project mainly is, but it’s really handling the trust I’ve had with women for the most part. And that song with Pleasure P is gonna be one of the leading singles. I think this joint is really gonna make some noise and get us to where we need to be. I can’t tell you when that project is coming out, but it’ll be this year, so be on the lookout for that. And in regards to how long I've been working on this project, since…man. I got the deal with Solo Group Entertainment and then we basically said “bet now we gotta go ahead and start putting together a project”; this was around May/June of this year. I just got signed in May, so I’ve been really working on this project since then, but it’s pretty much done. We just gotta figure out how all the nitty-gritty shit is going to get done; we’re trying to figure out what direction we’re going in for the music video, visuals, aesthetics and all that, but we got some heat coming for sure with this project, I’m excited.
Be sure to stream JayMarr’s latest project Black List here and follow him in Instagram here.
FOLLOW JAYMARR on ALL SOCIALS!
Instagram: https://instagram.com/officialjaymarr?utm_medium=copy_link
Youtube: https://www.youtube.com/channel/UCGKbujBB-t_3yhAY16Ww3uw
Check out JAYMARR on the #BUFFACOLD Playlists!
#BUFFACOLD: T1ANA.W EXPLORES ANXIETY & OVERTHINKING ON "afterTHOUGHTS"
Written by Falisha Oser
Buffalo-based hip-hop artist t1ana.W recently dropped his album afterThoughts and for all my anxious readers and listeners: you might as well go ahead and add every song off the album to your playlist now. I’ll wait.
“The album resembles a therapy session, except it’s with me. I’m just talking to myself the entire time trying to figure out where my brain goes,” t1ana.W explained. “In the beginning of the album the songs are really light and then as it goes on, the songs go deeper.”
T1ana.W performing at Sugar City in 2020
The intro starts off the album with a warped voiceover representing t1ana.W’s conscience in a therapist role. You may remember Tyler, the Creator did something similar in the first song on his album Goblin. As if he is in a counseling session with himself, the album represents t1ana.W’s inner dialogue with his anxiety.
“That’s exactly what I was trying to get at. That one voice in the back of your head that’s always trying to help you,” said t1ana.W. “The entire album is surrounded by the fact that I deal with anxiety and I have really bad over-thinking issues, which is where the name for the album came from. For me, overthinking is like a snowball effect. I have one thought and then I think ‘What about this? What about that?’ And so on and so on.”
The album starts off light, with dry humor and smooth, R&B/down-tempo sounds. The album’s second track, “Legend,” brings a positive, upbeat sound and a chorus worthy of blasting in your car on your way to work. The song’s message is contagious and empowers listeners to stop caring about what other people think and let yourself shine through. Each song takes you deeper into the relatable rabbit hole of anxiety, overthinking, internal conflict, and coping.
“That’s what the entire album focuses on: anxiety and over-thinking and just putting everything into perspective. I’m not good with words sometimes, so making music has been a way to get it out,” t1ana.W added. “I know a lot of people struggle with anxiety – especially in the music industry. It’s hard not to. You’re always worried about what people are going to say, what somebody is going to do with your music, how many plays it’s going to get. So, I was like ‘Fuck it. We’re writing about it.’”
“Hvn” follows as the third track off the album, bringing relaxed vibes contrasted with introspection and internal conflict as symbolized through the lyrics, “I don’t need a savior, who gon’ save me?”
https://www.youtube.com/watch?v=82LRsS66D94
T1ana.W performs "Breave."
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This transition from superficial topics to more introspective in-depth subject matter is evident starting with the 6th track in the album, “Breave.” In this song, t1ana.W confronts his anxiety – and perhaps the anxious voice in us all: “Don’t worry about the TV screens and those scenes/Gotta follow heart and dreams by any means/Do you wanna see your dreams get away from you and go? /Cherish every second that you here right now.”
My personal favorite off the album, “Professional Overthinker,” gives me chills every time I listen to it: “I used to put my worth in what everybody said/I think that’s why it hurts when I know it’s in my head.”
FOLLOW T1ANA.W on ALL SOCIALS!
Instagram: https://instagram.com/t1ana.w?utm_medium=copy_link
Youtube: https://youtube.com/channel/UCn5C7zDGyHNhy-2E8C1Edvw
Check out T1ANA.W on the #BUFFACOLD Playlists!
#BUFFACOLD: UNDER THE LIGHTS AT HHK
Last year we interviewed DJ Lil Gab, where we learned she had the idea to create a modern Hip-Hop Karaoke event in Buffalo. Inspired by a show she went to in London, the rising artist brought it here and eventually teamed up with Hip-Hop socialites Billie Essco and O.J. Barker to run the event. Since Hip-Hop Karaoke's inception in 2015, it has become a heralded event for both Hip-Hop artists, fans, supporters, and everyone in between to enjoy their favorite music together.
But their most recent event this past weekend upped the ante. Built on not just the hype of Buffalo-bred rapper, Conway The Machine's attendance with his album God Don't Make Mistakes AND mixtape Greetings Earthlings simultaneously #1 on the iTunes charts right now, but also with the excitement and fanfare of bringing in out-of-state guests like Florida-based Hip-Hop podcast The Danza Project and renowned DJ and producer Statik Selektah.
Exclusive Sneakvibing Reel of Hip-Hop Karaoke this month.
Nothing short of an iconic show, the event went on without a hitch. The room filled quickly and curated sounds from both DJ T and DJ Lil Gab led the night. Conway's iconic roster of artists under his Drumworks label also flooded the stage. Jae Skeese, 7xve The Genius, and Shots all were in attendance. It was quite profound to be under the lights at HHK.
Before the show, we spoke with O.J. Barker and DJ T about the event and what their looking forward to as Buffalo continues to make a name for itself in the Hip-Hop community. Read below!
The HHK Crew listed left to right: OJ Barker, Billie Essco, DJ Lil Gab, Donny Arthur
(Conversation slimmed down for easy reading)
Sneakvibing: "This is huge! You're a part of Conway's team. You were able to bring him to Buffalo...You're able to have all these different crowds converge. How do you feel having the ability to do that?"
O.J.: "Honestly, you know it's been a long time coming. I've been doing this for a real long time, you know what I mean... It's really just a blessing to see it come to fruition and staying down. And keep doing it and keep doing and now we here in a building like this and big shout-out to my brother Conway. Number one album and number one mixtape at the same time. That's some monumental shit right there. That's some shit we ain't never seen. Straight out of Buffalo... We're on an upward trajectory with it. Big Shout-out to my little sis, DJ Lil Gabby, it's her birthday celebration as well."
SV: "This is super dope. I love that you have DJ Lil Gabby and DJ T because they're DJs that are really coming up...they're both doing their thing. How exciting is it to see their progression?"
O.J.: "It's very, very exciting. Gabby originated Hip-Hop Karaoke...so, you know, it's definitely lovely to see where it is now from where she started at with it. And T is the best. That's my little brother. Watching him grow-I remember when he started and said he wanted to DJ. He's only been Djing since about 2017, and now he's Conway's official DJ and official Hip-Hop Karaoke's DJ.He's done rocked stages - big, big stages in a small span of time. And he DJ'd the mixtape!..It's lovely to see it all happen."
SV: "Now Hip-Hop in Buffalo has been going off. Even Hip-Hop Karaoke is an extension of that. Where do you see the Hip-Hop community in five years?"
O.J.: "In five years, Buffalo gonna be the biggest. You know how Detroit had a mean run? Philly done had their run. Of course New York. The Westside. Atlanta, you know what I mean? Man, it's Buffalo's time now. There's always been hidden gems. Big shout-out to the Griselda guys for opening that door...We got a lot of people coming up...and I'm telling you right now we're taking off. I'm not gonna lie to you - Drumwork. Drumwork is out of here...Drumwork got some people that's gonna take it all the way. The whole city do, but Drumwork is definitely up!"
SV: "Yes! What are you looking forward to tonight?"
O.J.: "Tonight!..I look forward to whoever has the best performances. Shout-out to the Danza Project. They donated a Playstation 5 to the best performer. They're the guest judges for tonight. We go the legend DJ Statik Selektah coming in tonight...I'm looking forward to a good time, but I wanna see who really gonna take it all the way there and have the crowd going crazy."
Sneakvibing: "How are you feeling about this event?"
DJ T: "I'm feeling good right now. It's my sis's birthday number one... We got the big homie, Conway The Machine - just dropped God Don't Make Mistakes. I'm just happy to be here."
SV: "Amazing. Now you have been doing a lot. You went on tour with Conway and Drumwork. How does it feel to know you're doing something you love but doing it with amazing artists out of Buffalo, out of you're hometown?"
DJ T: "It's a blessing..."
SV: "For Hip-Hop Karaoke, you guys have set songs that you guys are gonna play and want people to choose. What is a song you're looking forward to playing?"
DJ T: "Throat Baby Remix. All the women go crazy when JT's verse comes on so I'm excited to hear that one."
SV: "So you're the DJ that likes the ladies' going up, going crazy!"
DJ T: "Exactly. Yes. Girls run the world. Gotta make sure they're having a good time."
SV: "And speaking of that, DJ Lil Gab- it's her birthday as well. How important is she to the community?"
DJ T: "She's one of the first female DJs I met from Buffalo and we clicked right away. She's a blessing to this community. We need her."
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#NEWVIBES: AYAM JC RELEASES "24 On The Line"
Rapper Ayam JC dwells in minimalism. Since we discovered his music last year through singles like "Ben 10 Kim Possible," and "Light The Ugly," Ayam JC has subtly developed a look and style off of his mantra-like rap that is a unique integration of stark production and spacious lyricism. But his most recent single "24 On The Line" takes it up a notch.
Ayam Jc at a recent show in Erie, PA
The bass shuttering, percussion-led track feels otherworldly. From the occasional xylophone taps to the powerful ad-libs, there's a sense of urgency and scarcity. A seething production that could only be made from the mind of longtime Buffalo producer Sxreammvker, JC intros his vocals with "24 on the line, what you gon' do with it?" The immediate call to action adds to the already intense feel of this track but also gets the listener intrigued.
Producer Sxreammvker IG: @sxreammvker
Throughout the single, Ayam JC covertly tells broken stories about financial struggles ("Put the profit that I want up on the mood board"), adversity ("I see the bad opps, I pull up with 3 friends"), infidelity ("Niggas sweatin' her, I sent her a dm"), and time management ("3 days, I cannot pretend"). The encapsulation of this sonically mystifying single feels like poetic justice, but that's up for you to interpret. Listen below:
https://www.youtube.com/watch?v=Q9ebKmgaksU
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Instagram:https://instagram.com/ayam.jc?utm_medium=copy_link
Youtube: https://www.youtube.com/channel/UCmgNvdYYlY0qvBWMf2aN6fg
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#WHM PROFILE: KOTA SAVIA
A rising songstress amongst Buffalo hip-hop's luminaries, Kota Savia is creating her own lane. Known for combining her sweet melodies and heavy boom-bap beats with a unique r&b flow, the burgeoning vocalist makes music that is perfect for almost any vibe. Whether you're sipping tee in a coffee shop, taking a late-night drive, or ready to hit the streets, Kota Savia has a go-to sound. We briefly spoke to her in honor of #WomensHistoryMonth about her inspirations.
Sneakvibing: Who is your biggest inspiration?
Kota Savia: "My biggest inspiration would have to be a mix between Erykah Badu and Willow. Both of those women have not only inspired my music but my spiritual journey as well. A lot of the messages in their music is... if you know you know."
SV: How would you describe your music?
KS: "I would describe my music as the product of neo-soul and boom-bap having a child. I feel like I’ve been able to channel both sides pretty well."
SV: What is your favorite song on your most recent project?
KS: "My favorite song from my most recent project would have to be “In Your Hands." I feel like it’s on point when it comes to the beat and the overall message."
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Instagram: https://instagram.com/kvxa.savia?utm_medium=copy_link
YouTube: https://www.youtube.com/channel/UCIzzCH2PZigwcCtwr18sz4g
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#WHM PROFILE: STINLO
For us, Stinlo is still a mystery. The young, jazzy vocalist who occasionally posted singing videos on her Instagram is slowly performing in shows around Buffalo. With a look and sound that feels timeless, her brief performances show implements of soul and jazz integrating hip-hop, pop elements, and everything in between. Featured on two 2018 singles by out-of-city talent, (one by Portland-based band Seafox and another by Queens producer Gran Finale) it's apparent the rising crooner has all eyes on her. We can't wait to see what she does with it.
We asked Stinlo a few questions in honor of #WomensHistoryMonth.
Sneakvibing: Who is your biggest inspiration?
Stinlo: "My biggest inspiration is Nai Palm from Hiatus Kaiyote. If I had one word to describe her it would be WARRIOR. A few years back, Nai Palm was battling breast cancer. On her hospital bed, she shared a cover of “The Makings of You” by Curtis Mayfield. She held her light in the midst of a dark time. I felt her love and gratitude for life. Nai Palm had lost a breast in battle and to me, her scar is beautiful. Her scar signifies her strength! Nai Palm’s music inspires me the most. Her vocal expression is playful and her poetry is sensational. Hiatus Kaiyote has rhythms that will keep you on your toes. I love the challenge to keep up with her and learn! Nai Palm sparks a light within me and inspires me to be my own warrior."
SV: How would you describe your music?
S: “My voice is soulful and my roots are embedded in jazz. You’ll hear some scatting, and harmonies, as I melodically express my poetry. I like to call my current sound beats and blues. The beats are produced by @empty_estate and I bring the hue of blue. The vibe is smooth and I invite my listeners to spark a J and groove with me."
SV: What is your favorite song on your most recent project?
S: “My favorite song is “Spiritual” on my album coming in the summer of 2022. It contains my love for Kintsugi - to fix what is broken and enhance the fractures with gold. Imperfections are beautiful, it gives me permission to make mistakes and embrace the journey. My gold is my spirituality, my music, and my art. They are what piece me together.”
Stinlo performing I.G.T.F. by Gran Finale
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Instagram: https://instagram.com/stinlo?utm_medium=copy_link
YouTube: https://www.youtube.com/channel/UC0TQ68YDz5bHqXF-B-4lXPA/videos
Check out STINLO on the #BUFFACOLD2019 Playlist!